by sleeplab

supported by
Catherine Meeson
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Catherine Meeson Absolutely Brilliant - edgy, well arranged, the vocal work is stunning, ranging from soul melting falsetto to menacing whispers and anxst filled venting, love the guitar work, the break beat samples, the use of effects , just love it seriously one of the best things I've heard in ages, has hints of Muse, The Cure, Nine Inch Nails Favorite track: slow dragon (nothing on earth).
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all the itching in porno vision it is the acid in your blood and in your eyes for all to see a thousand craters or could you miss it interference is common with these sorts of things but in her eyes for all to see a thousand craters nothing on earth or nothing you care about no not even that don't you want to get out burn like nothing on earth and burn til its only us then burn til its only me then no more conversation ensuing
junk mail 03:33
take me over the river my good man don't blame me i've only got two hands there's something in the water it's like you say but what am i going to do about it there's something in the water we'll melt away too early to last ephedrine never sleep trade policy says we agree life is cheap coming clear getting the hell out of here don't you see that we're holding on to nothing evidence of lesser power no-one deserves to die we can't maintain some kind of order give the people what they want until no-one ever sleeps
slime 03:20
stagnant 04:57
the meddler 03:37
minute 04:03
little minute it was going to have to end this late we're a screaming ball of inertia driving as the slave it was all for nothing and the devils gonna take us away stand aside for many men have passed this way and ended up nothing and noone can tear us apart not if we wanted it and maybe its always been that way theres no secrets in my only form you can take it if you want it blame someone else for all it matters not that much because the devils gonna take us away is something wrong with us something you and i had never imagined and it comes easily just like noone had ever imagined its over stem functions keep on calling ratings & relatives keep on falling
matter 03:20
stale world 01:32
run away 05:47
attics 03:30


released October 1, 2005




sleeplab Melbourne, Australia

electro industrial rock hybrid born of musically squenced destructive tendencies. melodic rumination, dystopic noise, layered interference. tea and cake

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